Unraveling the Hilarity and Chaos of Die, Mommie, Die!: A Nostalgic Journey Through Camp and Melodrama

Step into a world where pastiche reigns supreme and the melodrama of the 1960s comes alive! Charles Busch's Die, Mommie, Die! is more than just a play—it's a vibrant homage to the era of iconic film stars like Bette Davis and Joan Crawford. This production, currently running at Island City Stage until September 22, is a delightful reminder that Busch’s campy magic is timeless and deserves a place on stage once more.

What Makes Die, Mommie, Die! a Must-See?

• A Comic Melodrama: Often described as a "comic melodrama," the play cleverly weaves themes of familial dysfunction with the intrigue of a mid-century thriller.
• The Plot Twist: Follow Angela Arden, an aging diva with a questionable past, as her family suspects her of foul play after her husband's mysterious poisoning.
• Unexpected Humor: The absurdity of the plot—filled with drugs, deceit, and dark humor—keeps audiences on the edge of their seats and in fits of laughter.

Stellar Direction and Production

Under the direction of Andy Rogow, the production embraces its own ridiculousness. From a witty opening video showcasing Angela's rise and fall, to chic yet simple staging that evokes nostalgia, every aspect is meticulously crafted to enhance the comedic tone.

Noteworthy Performances

The cast shines brightly, delivering performances that both honor and elevate Busch’s original vision:

• Kris Andersson as Angela: Balancing humor and depth, Andersson’s portrayal captivates the audience, making them both laugh and empathize with her character's plight.
• Suzanna Ninomiya as Edith: Ninomiya’s performance is a whirlwind of energy, showcasing her character's outrageousness with a delightful blend of absurdity.
• Clay Cartland as Tony: Cartland's seductive charm adds layers to the already complex family dynamics.

The Essence of Camp

Busch’s play thrives on its campy roots, and this production does not shy away from embracing the over-the-top elements that define the genre. With moments that can only be described as “pleasurable gasps,” the staging offers delightful surprises that leave the audience wanting more.

Final Thoughts

In a time when nostalgia often reigns, Die, Mommie, Die! stands out as a queer gem that humorously critiques the past while celebrating it. Through its clever writing and outstanding performances, Island City Stage brings to life a work that, while absurd, resonates on many levels. This production is a treasure, a comedic romp that shouldn’t be missed.

Show Details

Die, Mommie, Die!
Starring: Kris Andersson, Clay Cartland, Troy J. Stanley, Elizabeth Dimon, Kevin Veloz, and Suzanna Ninomiya
Directed by: Andy Rogow
Running Until: September 22
Location: Island City Stage, 2304 N. Dixie Hwy., Wilton Manors
Tickets: $40 to $55
Performance Schedule: Thursday at 7 PM, Friday at 8 PM, Saturday at 2 PM and 8 PM, Sunday at 5 PM

What do you think?

• Is the campy style of Die, Mommie, Die! a refreshing take on modern theater, or does it feel out of place today?
• How do you feel about the portrayal of complex family dynamics in this production?
• Do you think nostalgia in theater can hinder creativity, or does it provide a foundation for new ideas?
• Should more plays explore themes of queer identity through humor and absurdity?